I’m always excited about visiting the Summer Exhibition at the Royal Academy.
One past year had a huge gorilla constructed from coat hangers. Another year I offered to take a reader of this blog on a free tour of the exhibition. Padmini took me up on it. I’ve been a fan. A defender.
But this year… It’s just…
Great to see old favourites – Norman Ackroyd, Anselm Kiefer, Barbara Rae and others. But overall it just didn’t get me going.
It was the Austerity Measure from the Henningham Family Press that most caught my eye.
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This year’s Summer Exhibition at the Royal Academy feels brighter and more vivid than before – which is reversal of the trend of me feeling that each successive year was less thrilling tan before. Perhaps it’s the less dense hanging or the rearranged route through the rooms or the prominence given to photography. Or perhaps it was the transformed mood I brought in with me. Even the architectural models seemed more accessible than before.
But not everyone is happy. Notoriously cross critic Brian Sewell has been savaging this year’s exhibition -though he found some personal bright spots.
Aurora - lead - Anselm Keifer. I love it. But Brian says it's "a rare failure that could as easily have been made by a Namibian handyman or Uncle George in his garden shed.
So I’m posting his review as another little taster for Padmum. (By the way, when are you coming?)
So here’s Brian’s version:
Last week, on entering the Royal Academy’s courtyard to see its annual Summer Exhibition, I chanced upon a column of Academicians, their doxies, catamites and hangers-on Continue reading
David Mach's Silver Streak (coat hangers)
It’s step back, jaw-droppingly, massively impressive. It makes your twisty metal art mobiles and car aerial replacements seem, frankly, pathetic. Continue reading