Creeps and how to use them to your advantage

Here’s a writing tip from an expert – Scandi Noir thriller writer Will Dean. He has what he calls a “creeps book”, in which he notes down anything odd, unsettling or eerie he encounters. Each time he writes a new book, he sifts through them and sprinkles them through the narrative. It works especially well with dialogue and things seen by characters – a distinctive scarecrow that gives ones one an uneasy feeling perhaps – something to set a tone without having to spell it out.

And the same applies to anything interesting and potentially useful that you see, hear, hear of or.. smell perhaps?

But enough of me – here’s Will himself. Have a look/listen. It’s about a minute long.

You can hear more of Will Dean, me and Steve on the podcast at https://anchor.fm/wed-like-a-word/episodes/2–Will-Dean—the-author-leading-the-British-invasion-into-Scandi-Noir–Nordic-Noir-e3k730/a-acjt4q

The full podcast with Will Dean is here.

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We’d Like A Word…

…about all sorts to do with authors, books, readers, editors, publishers, agents, lyricists, poets and script writers. We’d Like A Word is the title of the new fortnightly podcast and radio show I’m presenting with my mate Stevyn Colgan. Steve’s an interesting fella, ex cop, ex QI elf, ex Met Police Problem Solving Unit, cosy crime fiction writer with a wealth a odd personal anecdotes.

Our first episode is out today! The topic: Is Scandi Noir still Scandi Noir if the writer is a Brit? And the excellent star guest who is taking part in this episode is Will Dean, the author of Dark Pines and Red Snow, the first two books in the Tuva Moodyson thriller series. The books are set in the Swedish forest – which is also where Will lives in reality. He built himself a cabin in the woods with trees and moose for company.

His books are gripping, atmospheric, convincing and refreshingly innovative. And he’s a very accomodating interviewee, revealing much about his technique and tricks. Watch out you don’t find yourself in his creep book.

You can hear the podcast by clicking on the link below or searching for it wherever you listen to your podcasts. (We’re also lucky enough to be broadcast on Wycombe Sound FM 106.6 in England.) You can find out more at the We’d Like A Word website or follow us on Twitter or Facebook @wedlikeaword

Your input, comments, questions or competition entries are welcome. You can email via wedlikeaword@gmail.com There’ll be a new episode every other Thursday.

We have some other great guests coming up too – Graham Norton (can celebs write good fiction?), Anthony Horowitz (giving life after death to characters once their original author is dead – James Bond, Sherlock Holmes), Adrian McKinty, Aidan Conway, Denise Mina, Brian McGilloway, Belinda Bauer, Dr Erica McAlister (The Secret Life of Flies), Eoin McNamee, David Quantick, Gerard Brennan, Alan Drew, John McCarthy, Shiulie Ghosh, Angela McMahon and many more.

We may be, ahem, a little rough around the edges to begin with, but I hope you give it a wee listen some time. (In the image link below won’t load, the Will Dean episode is here.)

Three crime writers spill the beans

Deep inside the perfect secondhand bookshop, the sign above an enticing locked door says Mysteries. Above that again are crime novels and a Thompson sub machine gun. You cant beat Westsider Books on Manhattans Upper West Side for atmosphere.

I shouldn’t really be telling you this, because I’m about to flit the country again and I’m unprepared. But SamHenry from On My Watch insisted. So here goes.

The other night I sat down with three award-winning or nominated crime writers who opened up (in a non-machine gun way) about their trade. Among the secrets they laid bare were:

1. What’s the point of crime writing?
2. The difference between crime writing and literary fiction?
3. Crime writing v. noir?
4. Does crime writing change anything?
5. Does it work in colonial or post-colonial societies?
6. Can you have a whodunnit in a developing economy?
7. Should put your friends and neighbours into the story?
8. Is there too much graphic violence against women?
9. Is Nordic Noir for wimps?
10. And – What they think you should read next (apart from themselves)?

The three writers were

The jumper

THE JUMPER, worn by somebody or another.

Black and white. Or navy and cream? Chunky, practical, ratty, bobbly. Definitely Faroese. Stabbed in the shoulder, but since recovered.

The new star